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Lighting

Roxette - Room Service Tour 2001

Per Gessle and Marie Fredriksson in Roxette on the Room Service tour 2001. Lighting design by Pontus "Bullen" Lagerbilke.
Photo: Roger Malmer.

Lighting Concert Published: 4 March, 2002.
After the success of their last album Room Service, Roxette embarked on a European tour in the fall of 2001. They visit Germany, the Czech republic, Belgium, Spain, Switzerland, Austria, Russia, Estonia, Finland and Sweden. Per Gessle and Marie Fredriksson were met by an excited audience on the first Roxette tour in six years.

Roxette's longtime LD Pontus "Bullen" Lagerbilke was in charge of the lighting for the Room Service tour. He designed the large lighting rig - with some 124 moving lights - and operated everything on a AVAB Pronto!. A lighting console that Bullen is one of the developers for at AVAB Scandinavia AB.

Bullen talks about Roxette and the tour.

It's been six years since Roxette was on the road last time. What was it like to work with Roxette again?
I have done other things with both Per and Marie during the time, like "Återtåget" (with Per's band Gyllene Tider) and Marie´s tour last summer. Working with them after six years is not a big difference, I have done so much with them that it feels like it was yesterday :-)

What ideas did you have for this tour? Is it different than the other Roxette tours you have been on?
No, it was not so different from the others. I always try to work with the big picture, whatever I work on.

Can you tell us about your lighting design for the Roxette concert?
The design is based on the big screen we had. So I tried to do an airier design around it and spread out my lamps in all directions as much as possible. I also tried to keep the design as simple as possible, as I knew that I had a very short time to programme the show. I ended up having three days.

Tell us about your choice of lamps?
From the beginning I decided on having as few kinds of lamps as possible and I wanted Spots and Washes. So when it was decided that Starlight was the supplier the choice was quite simple. I have always like the Live Pro 1200 as a spot lamp, not because it is the best lamp in the world because it has some character. Coemar's it was because I have never used them and they seemed fun (and they were too). 2-lites was probably the funniest and coolest conventional lamp I have had, so small, so strong.

Can you tell us about the AVAB Pronto! console you used for the show? I heard it was a special version with up to 4000 DMX channels output.
What I used is not a special Pronto! but a Pronto! with a rack computer on the side to get a more powerful computer, this because we have done a test that gets 3072 DMX channels out of it. We didn't believe that the original computer in a Pronto! would cope. But I did run an alpha version on what is going to be version 3.0 to Pronto!, that worked over all expectations. What we also did was to use Ethernet from FOH to the stage, to avoid having 6-12 DMX cables, that also worked very well.

Roger Malmer

Roxette - Room Sevice tour 2001

Lighting Designer
Pontus "Bullen" Lagerbilke

Tour Production
EMA Telstar AB

Lighting & Sound Supplier
Starlight AB

Lighting Equipment
64 Coemar CF Spot
60 Studio Due Live Pro 1200
10
Studio Due City Beam
2
Studio Due City Color
15
Diversitronic Strobe
4
PAR 64

1

AVAB Pronto!

Video Equipment
1 Case Eureka 3D 

 


Click on picture to enlarge!

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