XL Video
Projects in the Shadows
AV
Product Stories Published: 12 January 2007
XL Video supplied hardware and crew for the high profile DJ
Shadow tour which utilised a massive projected set as the show’s
visual centrepiece.
The ground-breaking collection of atmospheric
and provocative images are produced by a US-based team of visual
artists led by Ben Coles. They are stored on DVDs and replayed
live by Shadow via two Pioneer DVJX1’s DVD decks, output
to screen via an Edirol v 4 mixer.
XL supplied 9 Barco RLM G5i projectors, complete
with Barco 0.8:1 wide angle lenses to rear project onto the
24 ft wide set/projection area, which consisted of a top and
a bottom screen - the top measuring 6ft high and the bottom
12 ft. The set and the screen surfaces were custom built and
sourced via Litestructures.
Three projectors were positioned on the floor,
and the other six each rigged in threes on the top and bottom
rails of a truss upstage of the screen area.
Technician Richard Stembridge was brought onboard
by XL, He’s been working with Shadow since the summer,
when the release of his seminal “The Outsider” album
notched the live production up several gears. The tour was project
managed for XL Video UK by Jo Beirne and Phil Mercer, who comments,
“We’ve worked with Shadow’s previous tours
and it’s always an exciting and challenging project. We
were very lucky to get Richie to step in. ”.
With visuals very much being a major production
element, the projectors were chosen because of their cost effectiveness,
their wide range of front-end features and overall power-to-value
ratio. “They were perfect for the job” says Stembridge.
One of many features is an internal scan converter
that allows very precise editing and scaling of the source material.
This greatly aided the line up in this case, where all 9 projectors
were used to create a single high-impact image covering the
whole screen area.
XL also supplied a Folsom Image Pro scan converter
for scaling the images before they went into the projectors.
The biggest daily challenge was undoubtedly the
line up and the colour balancing of all the projectors within
their daily timescale, “With visuals so crucial to the
show, there was plenty of pressure”. says Stembridge,
adding that “The support and service from XL Video was
excellent as always”.